Both descend from the same lineage and share the same principles; they differ in scale and presence, not in intention. Most people choose by the space they have and how they intend to use it — a quiet personal practice, or a room where others will sit with it too. Reach out and describe how you would like to live with it, and we will help you decide. There is no wrong door.
Many owners do. Observers have long described the instruments living in gardens and studios as much as in treatment rooms, and report that any living thing nearby seems to respond to the field. We share that as observation, not instruction — use it thoughtfully, in moderation, and see what you notice.
Because it is assembled and tuned by hand rather than pulled from a shelf, each instrument takes time — and each is slightly its own. In more than twenty-five years, fewer than one in a hundred has ever come back to us. What it means for you is an instrument made deliberately, serviced for its lifetime, and answerable to a real person when you have a question.
Every session is different. Many describe it as calming, immersive, and visually alive — both grounding and expansive. You step into a field of color, hum, and frequency, and observe at your own pace. Some notice warmth or a subtle tingling; some notice effects later. We make no promise about what any one person will feel.
None. You simply enter, settle, and let the environment unfold.
The instrument produces a field through the ionization of an optimal mixture of inert gases, excited by high-frequency electromagnetic energy and photonic light. The complexity of the circuits shapes the wave patterns of that field. In the tradition of Tesla, Lakhovsky, and Rife, the idea is resonance — that a living system can be gently encouraged toward balance by the right field around it.
Since 1925, charged inert gases have been used to create a richer harmonic field than copper antennas alone can produce. The tall center quartz tube is tuned to resonate with life-force energy — Qi, or Chi — along the length of the body.
A 21st-century refinement. The original used two coils with the person seated between them; we learned the receiving coil was unnecessary — you are the receiver. Using an AC and a DC unit on either side, the fields mix into a third, more complete field that immerses you, enriched by a full spectrum of special gases.
Red-light panels use fixed LED diodes; a PEMF mat uses fixed low-frequency copper coils. Ours is ionized inert-gas plasma driven by a high-voltage resonant Tesla coil — a broader, more dynamic spectrum with a simultaneous photonic and pulsed-field component.
Its roots are a century old, and we've refined it with modern materials for over twenty-five years. We keep it deliberately analog — no electronic spark gap, no Wi-Fi — because, in our experience, the analog field carries harmonics the digital versions lose. It also means the instrument keeps working in any conditions.
The Multiple Wave Oscillator came from Lakhovsky, built on Tesla's work. Our own instrument, the B.E.L.S., was developed by a group of four in 1994; its refined descendant, S.E.A.D., by three of them who chose the path of "less is more." In twenty-five years of sales, fewer than one in a hundred instruments has ever come back.
We don't believe so. No side-by-side study has ever settled it, and we hold that softer fields have greater permeability and are gentler on living systems. Experience it yourself, and decide.
Every order includes an AC or DC base, a center quartz tube, inert gas tubes, and a manual — physical and digital. Training is available on request.
In moderation. We favor shorter sessions, more often — for example, around five minutes, two or three times a day, rather than one long session.
These are research instruments. If you have any health concerns, consult your physician first. We strongly discourage use by anyone with a pacemaker or other implanted electronic device (such as an insulin pump), and by anyone who is pregnant. Used thoughtfully and in moderation, the field is gentle by design.
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